March/April 2017 Cover Image

A Conversation on Craft with Ursula K. Le Guin

Article Image

David Naimon
When steering one’s craft these days, nobody quite knows where they’re going, including the publishers.

Read more...


Words on a Journey: W.S. Merwin

Article Image

A Symposium By David Baker, Meghan O’Rourke, Rosanna Warren, & Stanley Plumly
Merwin’s work of the 1960s is a purposeful casting aside of his own academic, traditionalist poetry. Step by step he unwrites himself.
Read more...


I Always Wanted a BIG Life: An Interview with Denise Duhamel

Article Image

William Walsh
I think it is really hard to write about politics convincingly. The Beat Poets were extremely personal and able to contextualize their lives with what was happening at the moment.
Read more...


Art of the Extreme

Article Image

Nick Flynn & Beth Bachmann
What’s the name for this? Ineffable: something too great or extreme to be expressed in words. Suicide, murder, torture, terror, humor, evolution, sentience, feeling, love?
Read more...


Surprise Me

Article Image

Debra Spark
If your day job involves any of the many compromises people make to earn a living, the idea of reading fiction for employment must sound pretty appealing.
Read more...


The Art of Leaving Out: Teaching Erasure Poetry

Article Image

Sharon Dolin
Why do I admire the making of something from something else: the recycling of creativity into a different creativity? Is it the same kind of pleasure I derive from finding new uses for old things?
Read more...


Storytelling as Inquiry: Creative Nonfiction & the Art of Narrative

Article Image

Lee Martin
We write from a need to know; we want to figure out what we think, what we feel, what something means. Sometimes we work with narrative; at other times we rely on a lyric form, one that features fragmentation, association, contemplation, juxtaposition, wordplay.
Read more...