In the Spotlight
Featuring AWP members who represent AWP’s mission to foster literary achievement, to advance the art of writing as essential to a good education, and to serve the makers, teachers, students, and readers of contemporary writing.
Hélène Cardona & Laura J. Braverman
“Whether writing or acting, I find myself in an exalted state of concentration and consciousness, like a meditation or trance. It’s as if time stops or expands, and I’m able to touch other worlds and keep a sense of connection with what is bigger than me.” —Hélène Cardona
“There is intensity and ‘headiness’ that can come about when writing, the experience of which is very satisfying but also sometimes draining. Painting helps to bring me back to my body, and to the nonverbal.” —Laura J. Braverman
About: Hélène Cardona is a poet, editor, and literary translator. Her recent books include Life in Suspension and Dreaming My Animal Selves and the translations Beyond Elsewhere (Gabriel Arnou-Laujeac), ce que nous portons (Dorianne Laux), Birnam Wood (José Manuel Cardona), and Walt Whitman’s Civil War Writings for WhitmanWeb. The recipient of over 20 honors & awards, she holds an MA in American Literature from the Sorbonne and taught at Hamilton College and LMU. She is Cultural Editor of Levure Littéraire and Contributing Editor to Cervena Barva Press. Hélène has also served as a mentor for children in the schools in Los Angeles and for AWP's Writer to Writer mentorship program and co-wrote the screenplay Primate with John FitzGerald, based on his novel. Hélène has been a member of AWP since 2005. Find Hélène in the Directory of Members.
About: Laura J. Braverman’s debut poetry collection, Salt Water, came out in 2019. Her poetry has also appeared in Levure Litteraire, Live Encounters, and Sky Island Journal, among other journals, and in the anthology Awake in the World, Volume II by Riverfeet Press. She received her BFA from Rhode Island School of Design and studied poetry and essay at Stanford University, Bennington College, and the New School. She lives in Lebanon with her family and has been a member of AWP since 2013. Find Laura in the Directory of Members.
Joanne Veal Gabbin & Lauren K. Alleyne
“I advise my students to live their lives with passion, to find a job that they would do without pay and then make a career of that, and finally to be committed.” —Joanne Veal Gabbin
“...I would say my mother who, despite her trepidation about what the future would hold for me, encouraged me along the path I’d chosen.” —Lauren K. Alleyne
About: Joanne Veal Gabbin is the Executive Director of the Furious Flower Poetry Center and Professor of English at James Madison University. She is author of Sterling A. Brown: Building the Black Aesthetic Tradition and a children’s book, I Bet She Called Me Sugar Plum. She is also the editor of The Furious Flowering of African American Poetry, Furious Flower: African American Poetry from the Black Arts Movement to the Present, Mourning Katrina: A Poetic Response to Tragedy, and Shaping Memories: Reflections of African American Women Writers.
About: Lauren K. Alleyne, a Trinidadian-born poet and educator, is the author of two collections of poetry, Difficult Fruit and Honeyfish. She is co-editor of Furious Flower: Seeding the Future of African American Poetry and editor-in-chief of The Fight & The Fiddle. Alleyne is an associate professor of English at James Madison University and assistant director of the Furious Flower Poetry Center.
Previously in the Spotlight
Sherwin Bitsui & Allison Adelle Hedge Coke
“Navajo poets have attempted to define or locate the meaning or phrase(s) for Poetry in Navajo language, but we are constantly debating whether one person’s name for it, which then also houses meaning, is also shared by someone else. In that sense poetry is continually mysterious—a depth within language, it beautifies and generates thought and connection to a moment in time and connects us again to some truth of an experience. It’s energy, carried into the world through utterance and song.” —Sherwin Bitsui
“Poets, if equipped, if so moved, have the same essential responsibility as any critical time implicates; to address, articulate, call, summon, insist, portray. The entire planet is endangered, in crisis. The consuming empires are literally killing us. To not speak would seem to some criminal” —Allison Adelle Hedge Coke
Alabaster, Alabama Member Since: 2006
“Now more than ever, it is crucial to support, celebrate, and promote works written, edited, and compiled by underrepresented and marginalized identities. Literature is, in my opinion, the clearest, most intimate representation of the human experience. I feel that it is the responsibility of the publishing industry in general—and small presses in particular—to uplift the voices of the full spectrum of human experience.”
San Antonio, TX Member Since: 2016
“Polish your craft. Spend time reading. Talking about what you read and about what you write. Publication will come and you’ll be happy you were not in a rush.”
Austin, TX Member Since: 2016
“Read as much as you can, and when you do read, don’t just read for the content. Pay attention to the language, the paragraphs, the punctuation: the execution. Don’t write sentences just for their content; instead, look at a sentence as a piece of art that belongs to a larger work of art.”
Jenny Romero Llaguno
Metro Manila, Philippines Member Since: 2017
“I read every book I could lay my hands on—literature from all over the world—found in the library, borrowed from friends, some I even bought, gifts from various suitors. I was definitely hooked, intoxicated with words.”